I am a gambler,
see me roll.
Stakes high,
chips fly,
odds rise against me.
I'll take the risk no matter the
loss--
cost me a beat,
toss in a heart,
I'm all in.
It's nature,
or addiction--
either way,
the math won't add
and I will lose.
But you
fold,
and I watch your back get smaller.
Question:
is it
you won't
or can't
go all in, too?
Drop the poker face,
it's just me, you,
and the dice.
And yes, the risk is
high,
but so is the prize.
So let's see those
cards, baby,
and take this town like Rain Man.
Sunday, March 28, 2010
"Bet Me If You Can"
Sunday, March 07, 2010
"How Not to Read"
I tried, I didTo not read inBut there are only so manyConstants and vowelsYou can get before you have wordsAnd I have pagesIt could be great, I knowBut words don't always showTruths.
Tuesday, February 16, 2010
F in din gHo wA llth ePie cesF it
A correction to my last post--
I have been struggling for the last three to four weeks with my newest poem (spoken). And for a while the major issue was I couldn't find my own voice. I realized my philosophy contrary to Stephen King's (he always does end up being right, doesn't he?) had filled my brain with another's voice (Rives) and everything I was writing sounded like something he would say.
I tried desperately to fight this and I started to listen to some well-written rap (as given to me by Todd Hicks) which centered primarily on Lupe Fiasco's The Cool. This helped me to stray away from the un-rhythmic talking of Rives back to my own style which is grounded a bit more in a set flow and rhyming pattern.
So, King wins again. I bow my pen down in reverence...
However, I'm still struggling with this piece. And it really has been a tremendous learning experience. I've always admired Uncle Stevie for his ability to understand the craft of writing and why he is successful and so darn good at what he does (see On Writing for more information, again when it comes to writing, in my book King is one of the greats). But similar to him, I have been learning what it is that makes my old pieces ("Words" and "What Makes a Man?") so good. Besides the topics and the content, what about my style of the craft works? What works better?
I first struggled with putting too much of myself into the piece. I was telling too much of my story and while my experience leads my subjects, I am not the subject. I don't want to be the subject. I don't like attention. At all. Ever. It makes me feel awkward. Maybe because I've been ignored for most of my life (my parents are shaking their heads right now "No! It's cause you talk too much!!"). Anyway, bottom line my pieces are supposed to be universal and applicable to every audience member/reader. And while personal testimony helps, the vague experience that can be heard behind it is stronger.
I've also learned that my spoken poetry needs to be a bit ADD. It needs to jump around a little, be a little vague while still teaching and driving home one point. But it needs to move and move quickly in a flowing, transitional way.
Well, I don't know if any of that made sense, but there is so much learning when it comes to writing that I don't even realize occurred, and happens so subconsciously. Anyway, with how much of a rollercoaster this poem has been so far (I'm still not done, not even half way) I couldn't stand looking at this blog and seeing my last post completely contradict the way I feel now and what I've learned, so I had to correct myself and once again throw my lot in with Uncle Stevie.
Also, I've learned that the father to great writing is constant unsatisfaction. It leads to so many more wonderful and beautiful experiences and pushes me to rise away from complacency and an " eh, good enough" attitude.
I guess I'm still f in din gho wa llth epie cesf it together...hopefully they come together soon, if not you may be reading another post in five weeks that expresses more of my frustration.
I have been struggling for the last three to four weeks with my newest poem (spoken). And for a while the major issue was I couldn't find my own voice. I realized my philosophy contrary to Stephen King's (he always does end up being right, doesn't he?) had filled my brain with another's voice (Rives) and everything I was writing sounded like something he would say.
I tried desperately to fight this and I started to listen to some well-written rap (as given to me by Todd Hicks) which centered primarily on Lupe Fiasco's The Cool. This helped me to stray away from the un-rhythmic talking of Rives back to my own style which is grounded a bit more in a set flow and rhyming pattern.
So, King wins again. I bow my pen down in reverence...
However, I'm still struggling with this piece. And it really has been a tremendous learning experience. I've always admired Uncle Stevie for his ability to understand the craft of writing and why he is successful and so darn good at what he does (see On Writing for more information, again when it comes to writing, in my book King is one of the greats). But similar to him, I have been learning what it is that makes my old pieces ("Words" and "What Makes a Man?") so good. Besides the topics and the content, what about my style of the craft works? What works better?
I first struggled with putting too much of myself into the piece. I was telling too much of my story and while my experience leads my subjects, I am not the subject. I don't want to be the subject. I don't like attention. At all. Ever. It makes me feel awkward. Maybe because I've been ignored for most of my life (my parents are shaking their heads right now "No! It's cause you talk too much!!"). Anyway, bottom line my pieces are supposed to be universal and applicable to every audience member/reader. And while personal testimony helps, the vague experience that can be heard behind it is stronger.
I've also learned that my spoken poetry needs to be a bit ADD. It needs to jump around a little, be a little vague while still teaching and driving home one point. But it needs to move and move quickly in a flowing, transitional way.
Well, I don't know if any of that made sense, but there is so much learning when it comes to writing that I don't even realize occurred, and happens so subconsciously. Anyway, with how much of a rollercoaster this poem has been so far (I'm still not done, not even half way) I couldn't stand looking at this blog and seeing my last post completely contradict the way I feel now and what I've learned, so I had to correct myself and once again throw my lot in with Uncle Stevie.
Also, I've learned that the father to great writing is constant unsatisfaction. It leads to so many more wonderful and beautiful experiences and pushes me to rise away from complacency and an " eh, good enough" attitude.
I guess I'm still f in din gho wa llth epie cesf it together...hopefully they come together soon, if not you may be reading another post in five weeks that expresses more of my frustration.
Wednesday, February 03, 2010
Call Me a Crock Pot and Dub Me Simmering
I find myself very often in a limbo state. Not really suffering from writer's block but not over-flowing with ideas. In these moments of confusion, Stephen King says that he likes to go on walks (and it was on these walks, this limbo, that he was hit by a car...not a very promising thought).
I, however, have always found walks or any other sort of remaining-in-my-own-head activities as very restricting and not very useful. And it's not very often that I disagree with the King, so this is a rare moment.
I guess it's like Dr. Spencer Reid from Criminal Minds says, "Repetitive thinking is a death knell for the brain. For complete brain usage, diverse stimulation is the key." This show has seriously become my new addiction, it is truly incredible. If you've never watched it, do so now.
Anyway. So, in limbo, I find myself retreating into books or more recently spoken word poetry on YouTube. And it was this wonderful invention that showed me such amazing poets as Shihan, Gemineye, and the amazing Rives.
My brother has told me my entire life that he loves listening to me talk, the way I talk and what not I guess. I've never really understood this, until I started to watch Rives. I love the way his mind works, I love his craft and his ability to use words and I love the way he talks.
For more information on Rives click here, YouTube "Rives," or just watch these amazing pieces he did for TED.
He's definitely one of many ingredients I toss into my crock pot, just to let it simmer and see what comes out. Also check out "Kite" by Rives it's one of my favorites.
I, however, have always found walks or any other sort of remaining-in-my-own-head activities as very restricting and not very useful. And it's not very often that I disagree with the King, so this is a rare moment.
I guess it's like Dr. Spencer Reid from Criminal Minds says, "Repetitive thinking is a death knell for the brain. For complete brain usage, diverse stimulation is the key." This show has seriously become my new addiction, it is truly incredible. If you've never watched it, do so now.
Anyway. So, in limbo, I find myself retreating into books or more recently spoken word poetry on YouTube. And it was this wonderful invention that showed me such amazing poets as Shihan, Gemineye, and the amazing Rives.
My brother has told me my entire life that he loves listening to me talk, the way I talk and what not I guess. I've never really understood this, until I started to watch Rives. I love the way his mind works, I love his craft and his ability to use words and I love the way he talks.
For more information on Rives click here, YouTube "Rives," or just watch these amazing pieces he did for TED.
He's definitely one of many ingredients I toss into my crock pot, just to let it simmer and see what comes out. Also check out "Kite" by Rives it's one of my favorites.
Wednesday, January 20, 2010
"Speak to Be Heard"
"Write to be understood, speak to be heard, read to grow..." - Lawrence Clark Powell
Last night I performed (for the first time) spoken word at my school's coffee house night. It went really well. Amazing in fact.
Figured I'd post here to share, though of course, hearing it is better than reading it.
If you couldn't make it last night, the bolded "words" are where I threw my fist in the air and had the audience shout "words."
"Words"12/10/09
Last night I had a dream you seeIn my slumber I watched a rumble and a tumbleAtop a hilltop I saw a battle in a valleyA war waged between only one enraged armyOne peopleAll soldiers under one kingdomFighting for their quote end quote freedomMen rose and they chose to slaughter their daughtersTo burn down their brothers, and murder their fathersSwords clanged and they clashed as little girls took up the sword as they had been taughtAnd blood soaked in the field and bones covered the groundsAnd I looked all around to discover this hill wasn’t really a hill at all it was a cloudAnd the valley was the earthAnd the soldiers, my brothersThe army, my peopleAnd I heard a small voice say to me,“Now you see how dark the ways of man,How violent the blaze of man,How temporary the days of man.Now you believe the pain of the sword,The strain it affords,And the gain it ignores.Now you must act to bring about changeTo lead a new phaseAnd use words to save the day.”And I fell to the earth as the cloud disappearedAnd the atmosphere set me ablaze to start againIt cleansed and it purified all my wants and desiresAnd I exploded to the earth still set on fireReady in hand with a brand new pen and a sharp new tongueReady to undo what man has done.
And I spoke, as I had been spoken to:“Take heart, dear people,Take heed, my brothers,And I ask you, where does it lead?This sword that you swore would be your protectionHas it filled its lofty position?You’ve saved your wives and your children for sureAnd you’ve shown the whole world how great the man you areBut at what expense? At who’s expense? At who’s incentive?And can you recompense the pain you’ve gained from?Sure, we’re the civilized society, the burger with fries society, it’s all-about-the-size society, the means are justified by the prize societyBut what you’re really just saying is we’re the animals with supplies societyThe beasts with the meansAnd if you want to disagreeI ask you to look the children and the wives of the other side in the eyes and tell them your right, tell them your holy, tell them you’ve decided they and their loved ones have to die!
Because you know what? The difference between the sword and the pen?Is the sword really killsThe pen? You can throw your metaphors, analogies, imageries and see what sticksBut in the end, the only time the pen brings physical death is when it is misused, misreadBy angry men, by blinded men, with small-picture meansWho think the only thing that can save their earthly fortunes is deathBecause “murder protects and words just collect into nothing"
Ralph Waldo Emerson wrote: “Words are also actions, and actions are a kind of words.”And when he speaks I don’t think he means battles and violence because those actions end things, and actions that are words start things.Again, if you wanna disagree, let’s take a look through historyAt the power ofWords likeTaking a seat at the front of the busShowing the world a hundred years haven’t changed usYou call us naïve idealists, hippies just here to protestAnd I’m just saying, we’re just showing loveAnd love is actions, and love isWords likeTaking a stand against an oppressionRising a people to march an objectionA protest to taxation, taxation on saltThat’s allA tax on salt and men rose upBut when the other kiddies knock over our sand castleWhen we believe the lie that a good defense is a good offense, a good vengeanceWe ignore the power of actions, the strength inWords likeTeaching the people there’s more than they knowShowing them all how fast love can growSpeaking to them to turn one more cheekTo turn one more cheekTo turn one more cheekUsing that love and those words to break down an empireAnd exercising silence in order to sacrifice
So tell me: how rightly, how mighty is your violence?How strong is your sword?Can it weather the storm of Truth and words?Because actions bring consequences, you reap what you sow, and retaliation will kill youSo you kill to protectYou murder to healFight fire with fire when fire doesn’t put out fire it just starts moreAnd you fall to your swordWhen you should rise to your words.”
And by the end of my dream there was this strong sound, this rising, fighting to breath sound, that echoed all around and shattered the bones on the groundAnd it sounded a little like:Words! Words! Words! Words! Words! Words! Words! Words!
But to be honest I’m not really a pacifistBecause I do battle with wordsI duel with adjectives and verbsAnd I can fence with sentences
And for those who don’t, I don’t blame 'emBecause we’ve all heard the lie, but talk isn’t cheap, it’s hardAnd choosing to fight is easy, and typically the hard thing is the right thingOr so I’ve been toldAnd to be really honest I don’t know if I am rightBut I know that a life is sacredAnd I know that violence follows violence follows violenceSo what then follows talk and actions?
So this is a call for changeThis is a call to rearrange our instinctsTo re-think our choices, our voicesThis is a call for words!
So there's that one, and here's this one...
"What Makes a Man?"1/10/10
What makes a man?There’s gotta be an answerIt can’t just be some non-descript question, paper slip certificate, fake-it-till-you-make-it attitude, empty lip the principal gave me to make me grow upI don’t believe it’s some useless threat my parents threw in my face so I’d face the consequences of my ride on the fences of responsibilityWords that float through air without a care and dare you to wish, dare you to dream they could be real when really they’re just liesIt can’t be thatNot rumors, urban legends, mythologies about ideology, philosophies that tell you you might as well be trying to learn to fly with wings made from wax and ignoranceSo what makes a man?
Business suit attireWith a tie too tight to breatheHe’s up at three, to the station by four-forty-five for a two hour bus ride to workFrom seven to sixAnd by the end of his eleven hour shift?His slicked back hair is soft from the wear of working under a hard man, a merciless manBecause as the assistant to a business manHe’s not given the respect he deserves as his own manAnd while often it seems like just fate, he’s often cheated out of his lunch breakSo what does he do?What makes a man?Is it the strength to complain about the difficulty?Or the love to refrain because he’s got to provide for a family?What makes a man?Foxhole box to keep him inBuddies and comrades by his sideBlonde set in a snapshot hiding in his pocketHe’s got a lot to live forSee she is going to be his wifeSoon as he gets homeBut the phone calls they get to make to each other every six weeks aren’t enoughShe’s all he thinks about, all he talks about, all he fights for, lives for, be willing to die for herWhistle and thud and a grenade is laid down to the ground gentlyRight behind himSo what does he do?What makes a man?Is it the selfishness to run so he can see her?Or the selflessness to jump so he can save them?What makes a man?Two part time jobs and a cushy home to bootLife seems great, life seems grandAnd with two parents who pay, life is dandyNot rolling in cash, not many bills to payGas in the tank and whatever other useless stuff he can rake inTimes are slim, but for him? He’s still getting a DVD a weekAnd some new clothes on the weekendBut then he’s reminded about the poverty of the society of AfricaAnd how their health and wealth isn't the same as his health and wealthSo what does he do?What makes a man?Is it the excuse he makes that it's in another man's hands?Or the choice he makes that the responsibility is in his own hands?What makes a man?What makes a man?What makes a man?I think I know.And maybe you do too.But let me impart what I’ve learned so far.So what makes a man?Love makes a manI was once told and I believe that if you ask what is the loving thing to do, you will be right 95% of the timeAnd the rest of the time you will be striving to find what is right, and that makes a man tooSee we all have this delusion that being a man is not the same as being a gentlemanAnd the gentlemanly thing to do, definitely isn't the manly thing to doBut what makes a man?GentlenessKindnessSelf-controlA searching man once made a list of all the thing’s a man isWrote 'em on post-its and stuck 'em where he could not forget itAnd his ever-growing list ever-grew into a tree of life and knowledgeAnd he picked off the fruits and he learnedA man is responsibleA man is respectable, respectfulA man is humbleA man is self-lessA man is self-sacrificialAnd a man is a lot of other things we don’t think we can beSomething’s that are just too subjective, he can be it, I can’t be it, we’ll just leave itBut a man is wiseAnd a man is patientAnd a man is courteous, honest, chivalrous, willing, loyal, dedicatedAnd a man is sincereAnd he’s quick to listen and he’s slow to speakAnd a man is a lot of other things that actually come easyBecause a man is prayerfulAnd a man is peaceful and comforting and strongBut not in the way you’re thinking of strongBecause a man is strong [side note: held fist to heart]And a man is joyfulAnd he’s pure in thought and action!And a man is vigorous in his pursuit of goodness and righteousness!And a man is steadfast!And he holds to the truth no matter what, no matter the consequences, no matter the insults or the pride holding him backBecause you know what? Of all the fruits on the tree the searching man madeThere was one he forbade to never let goAnd it is: a man is content with Jesus as his everythingBecause what makes a man?God makes a manGod fear, God near, God here [side note: touched heart]For God so loved the world that he believed in manHe believes in manAnd they say God won’t give us more than we can handleAnd this is what He’s given usSo what can we handle?
See we’re all searching for what a man isWhether you’re male or you’re femaleAnd I don’t have all the answers yetBecause there are too many I don’t want to forget, and too many more to exploreSo I want to leave you with these four simple wordsWith this quest that should help you in life with your struggles and strifeAre you ready?Because it’s a tough one, it’s a doozy, it’s…it’s a hard one,But it’s easier if you're searching, if you’re asking:What makes a man?And I think you know.
Miss Hiedi Johnson asked me after what the four words are. She asked if it was "God makes a man." I told her, to me, they are "What makes a man?" and also "I think you know." That's because it leaves it as more of a quest and a searching. I think it needs to be a discovery rather than a sermon a man decides to believe. There's more faith in searching.
However, she's right: "God makes a man" is four words and that's perfect and works beautifully as if I had planned it :), as do any word before "makes a man" ("Love makes a man," "Responsibility makes a man," etc etc etc) so that all works, too.
And that's it. That's all I got...
Plan to write another soon...now? We'll see...need an idea, need an idea...
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